Tips for eliminating Passivity

[Zephon]

Does anyone have an exercise or "checklist" that's helpful in eliminating or correcting passivity while combing through a draft?

Obviously I hope to naturally correct these tendencies as I progress as a writer, but a "cheat sheet" of sorts would be helpful in the meantime. Whether it's someone else's official lesson, or just a few words of your own advice, it'd be much appreciated.

Thanks!

[T.Allen.Smith]

A few tests for detecting passivity:
1) Look for any "to be" verbs - was, were, would, had, etc. these can often be an indicator of passivity.
2) Does the subject of the sentence receive, instead of perform, the verb's action? If so, it's passive
3) Is the sentence ended with "by INSERT NAME, PRONOUN, OR NOUN." The preposition "by" can also signal passive voice.

[Chilari]

Passivity isn't always a bad thing. Generally speaking you'll want to use the active voice because it's more immediate, more direct - it has greater impact. But the passive voice has its place. It is, for example, very useful in demonstrating a character's vulnerability, for example if they feel trapped in a relationship this might be expressed through passive sentences where things happen to them, or if they feel they have no control over their life or simply over their actions during a particular scene, for example if they're drunk.

So before you erase the passive voice entirely from your novel, first check to see whether it is appropriate.

Aside from that, T.Allen.Smith has the important bits.

[T.Allen.Smith]

Passivity isn't always a bad thing. Generally speaking you'll want to use the active voice because it's more immediate, more direct - it has greater impact. But the passive voice has its place. It is, for example, very useful in demonstrating a character's vulnerability, for example if they feel trapped in a relationship this might be expressed through passive sentences where things happen to them, or if they feel they have no control over their life or simply over their actions during a particular scene, for example if they're drunk.

So before you erase the passive voice entirely from your novel, first check to see whether it is appropriate.

Aside from that, T.Allen.Smith has the important bits.

What Chilari says is true. Especially in dialogue passivity can be used as a tool. You generally want to speak in active voice during any narrative though. Like she said, active means greater impact.

Don't be too hard on yourself either. Every author has some difficulty recognizing passivity in their own writing. It takes time to write active by second nature, & even then passive often creeps in.

[Bear]

I use word 2011 so it highlights the passive voice when I spell check. If I let any in I correct it. When I did my first book I was appalled to find out it was filled with passive voice. So I rewrote the entire thing to eliminate the passive voice. Although I kept it in one or two sentences to make the character out to be a victim. Anyway, the more you write and correct the passive the less you do it. spelling checks and stuff like that really help.

[T.Allen.Smith]

I use word 2011 so it highlights the passive voice when I spell check. If I let any in I correct it. When I did my first book I was appalled to find out it was filled with passive voice. So I rewrote the entire thing to eliminate the passive voice. Although I kept it in one or two sentences to make the character out to be a victim. Anyway, the more you write and correct the passive the less you do it. spelling checks and stuff like that really help.

Wow! I had no idea word did this!!!

[Bear]

Wow! I had no idea word did this!!!

Yes, word does check for passive voice. There are also some cool statistics that you can get. Word will tell you the % of passive voice you have in the entire work. Some people make a big deal about the statistics. Apparently the army or navy used to use the program when writing training manuals. I forget the correct name of the stat program word uses but it's pretty cool.

You can even find a set amount of statistics that coincide with a best seller. That doesn't mean much because all my books hit those benchmarks but they don't sell well but you can have fun with it.

*It's the Flesch-Kinkaid score and readability.

[T.Allen.Smith]

Yes, word does check for passive voice. There are also some cool statistics that you can get. Word will tell you the % of passive voice you have in the entire work. Some people make a big deal about the statistics. Apparently the army or navy used to use the program when writing training manuals. I forget the correct name of the stat program word uses but it's pretty cool.

You can even find a set amount of statistics that coincide with a best seller. That doesn't mean much because all my books hit those benchmarks but they don't sell well but you can have fun with it.

Great tip! Thanks Bear.

[Bear]

According to some nuggets of info, you don't really want to go above around 7%(or is that 2%. I forget) of passive voice as a general rule. In my three books I have 0% passive voice. The number is just a guideline. I think Mark Twain wrote a story that was 75% passive voice. However, that's Mark Twain so he probably knew what he was doing.

The Flesch-Kinkaid can also tell you your grade level of writing. Usually, in my books the grade level changes from paragraph to paragraph with ranges of 12th-3rd and my average is usually around a 4th or 5th grade reading level.

Not to get of the subject but you also kind of want your reading ease figure to be at or around 80. Nothing higher or lower. It's not always easy to hit the 80 mark.

[Caged Maiden]

Wow, I'm not the best with computers, but I'm going to look into that.