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New covers for the Lost Dogs series.

Svrtnsse

Staff
Article Team
Ahoy folks,

The time came around that I discovered I could do decent book covers on my own by using stock images. I'd just assumed it was better to get someone else to do it, and not really tried very hard myself. Then just the other day I had to come up with a cover for book 4 in my Lost Dogs series, and decided to give it a go. I got some pictures from shutterstock and put them together in gimp, and I was really happy with the end result.
Over the last few days I've redone the covers for the three earlier books in the series as well. Now that they're all updated, it's time to show them off here. :D

ld1-new-ebook-cover_61.png

ld2-new-cover-2-full.png

ld3-new-cover-3.png

ld4-lnf-cover1-e1542494081615.png

This last one here, for book #4, is the first one I did. Ideally, I'd have liked the other ones to be in a similar style to it, but I wasn't able to track down drawings to match the one I had. I feel like they came out okay in the end though, and like the fourht one is the odd one out - so maybe I'll redo that one at some point.
 
Hi Svrtnsse! I do like the covers you did!
I have some questions and some art critiques for you:

*Why did you not include the yellow wolf eyes in the 3rd and 4th cover? That was a very strong thematic element to unite the different visuals across the first two covers. And haunting.

*And, I agree with you and think the 4th cover is a bit of an odd man out. If you can't find a stock image, you could try to recomposite the female figure from cover 3 (I'm deducing that is the figure you want on cover 4) by flip/rotating, etc. May not get the facial expression you want, but there's enough torso to work with. Or, thematically, you could introduce 'pencil sketch' and 'ink washes' to cover 3's figure, or edit her to grayscale like cover 1's figure, to help visually transition to the drawing on cover 4 from the photos on cover 3 and 1.

*I think part of what might be throwing cover 4 off a bit as a mismatch, is the color saturation moreso than the drawing vs. stock photo. It's very pale, almost pastel, compared to the other 3. I want to see the intense green of the swamp (algae and duckweed/frogbit water plants and mosses in the trees, etc) behind the figure.

I hope that helps- and it shouldn't be impossible to edit with the software you're using. I'm very impressed with the visual 'Wow factor' of the first 2 and the intense saturation of color. I think that is an interesting juxtaposition to your content. Whatever changes you decide on, if any, I'm sure you're going to come up with something eye-catching and intriguing.
 

Svrtnsse

Staff
Article Team
Thanks for the feedback. Much appreciated. I'll try and answer as best I can.
*Why did you not include the yellow wolf eyes in the 3rd and 4th cover? That was a very strong thematic element to unite the different visuals across the first two covers. And haunting.
My idea is that the eyes belongs to the wolf within the main character of the story, Roy. However, he's only the main character of the first two books, and the next two feature a different main character. I had the idea of including a different set of eyes on the cover of the third book, but by the time I got to adding them I decided against it for three different reasons.
- I didn't find any that suitable ones. Alene's inner beast isn't a wolf, and the closest eyes I found where paintings of demon eyes and the stle didn't match with the photos.
- I left the eyes until last, and was worried the cover would be too cluttered if I tried to add in more. I've got issues telling colours apart, and I'm cautious about mixing things up too much.
- There weren't any eyes in the fourth image which was the ones I did first.

*And, I agree with you and think the 4th cover is a bit of an odd man out. If you can't find a stock image, you could try to recomposite the female figure from cover 3 (I'm deducing that is the figure you want on cover 4) by flip/rotating, etc. May not get the facial expression you want, but there's enough torso to work with. Or, thematically, you could introduce 'pencil sketch' and 'ink washes' to cover 3's figure, or edit her to grayscale like cover 1's figure, to help visually transition to the drawing on cover 4 from the photos on cover 3 and 1.
I think what I'd probably do is to try your last suggestion and apply some filters to try and give the woman in the third cover more of drawn/painted look. I'm not sure exactly how to go about that, but I'm sure it's the kind of thing I'd be able to find tutorials about online.

*I think part of what might be throwing cover 4 off a bit as a mismatch, is the color saturation moreso than the drawing vs. stock photo. It's very pale, almost pastel, compared to the other 3. I want to see the intense green of the swamp (algae and duckweed/frogbit water plants and mosses in the trees, etc) behind the figure.
You're probably right about this. Someone else commented they were surprised to see me use colours in a cover when I showed them the one for the second book. Like I mentioned, I've got difficulties with colours, so it's a bit daunting to tinker with.

I hope that helps- and it shouldn't be impossible to edit with the software you're using. I'm very impressed with the visual 'Wow factor' of the first 2 and the intense saturation of color. I think that is an interesting juxtaposition to your content. Whatever changes you decide on, if any, I'm sure you're going to come up with something eye-catching and intriguing.
The plan for now is to wait a bit and let the novelty of the new images die away. I'll also try and play around with the software a bit more and get a better idea of what I can and can't do with it.
At some point I'll have to update the covers for the paperback versions too, and that feels like a much more "permanent" change than changing up ebook covers. I'd like to be more confident in the covers by that time. :)

Thanks again for the feedback. It's very much appreciated.
 
You're welcome! And I'm surprised to learn that you have difficulty with colors and working with them- it doesn't come across in your work ;) . My vote is still to incorporate the inner-beast eyes somehow for each character. I think it would help visually unify your series. Can't wait to see what your next editions look like! Good luck!
 

Svrtnsse

Staff
Article Team
My vote is still to incorporate the inner-beast eyes somehow for each character. I think it would help visually unify your series.
I definitely see the sense and logic in this. I'll for sure give it a go when revisiting the designs.
And I'm surprised to learn that you have difficulty with colors and working with them- it doesn't come across in your work ;) .
Thanks. That's encouraging. :)
The only actual colour tweaking I did was for the woman on the cover of book three. The original looked like this: the thoughtful African woman with brilliant black skin with a ceramic ethnic necklace of handwork sits and embraces the hands knees. Studio conceptual photo against a dark background

For the rest of them, the only colour adjustments are with respect to transparency, or with covering up with black-to-transparent gradients.
 
If you have no objections, can I send you pm links to royalty free or public license art/ photography? You can easily adjust the chroma (color) to suit your needs later. I usually stumble upon interesting stuff in my late night web-wandering hours, and I collect stuff for visual inspiration.

Just for fun, what is Alene's inner beast?
 

Svrtnsse

Staff
Article Team
Image recommendations would be very welcome, along with other advice. :)


As far as Alene's inner beast, she's a rainbow coyote. The actual description of that is something that's unclear until just at the end of book 3. I've included the description of it from the book here:
A small dog-like creature, somewhere between a wolf and a coyote, completely covered in shimmering fish scales, and with a pair of black antlers at the top of its head. A forked red tongue hangs out the side of its mouth, and yellow eyes burning with hate and anger stare at the crowd.
 

Svrtnsse

Staff
Article Team
I finished the second draft of Lost Dogs #5 today, and I spent the rest of the day making a new cover - and forgot to eat. Here's what I came up up. Any feedback would be very much appreciated:
LD5-Silver-skin-2.png
 

Svrtnsse

Staff
Article Team
Is the one eye a bit of foreshadowing?
Yes and no.
The wolf's eye in the background is from the two first books, which is about Roy. The woman in the foreground is from the next two books. Putting both of them on the same cover is to symbolize this book is about both of them. :)
 

Svrtnsse

Staff
Article Team
Whoop! I'm putting out an omnibus edition of the five first books in the Lost Dogs series, and it's time to show off the cover.
There is still a little bit of work left to do - author's note, map, acknowledgments, and dedication - but it shouldn't take long. The book should be available for pre-order within the next few days.

Here's the cover image:
lost-dogs-betrayals-cover-a7.png

As you can see if you compare with the previous posts, I've overhauled the cover layout a bit, and the font/text on the other covers now match what's on this one.

Finally, here's the book description:

Everything's falling apart...

Roy van Waldenberger built his life on a lie, and he never even knew.
When a few short words on the phone sets his entire world crumbling, he drops everything and leaves.
Without a second thought. Fame, fortune, girlfriend – everything.
Nothing will stop him from making right the mistake that's cast a shadow on his life for the past sixteen years.

Alene Moneya dreams of being a journalist. Travel the world and write about exotic places.
Young, eager, and naïve, a false lead sees her stranded in a dead end town just in time for the full moon. To avoid her mad inner beast going on a murderous rampage, Alene must convince the local pack to take her in.
They're a nasty bunch, and they don't like outsiders, but they're willing to accept her anyway – for a price.

Roy and Alene.
A grumpy old werewolf and the sidekick he doesn't want. On the run from the mob, the law, and the past. Two flawed individuals making bad decisions in the name of love, pride, and desperation – and in Alene's case, because her inner beast hates her.

Lost Dogs is a modern-day psychological fantasy series, about independence and belonging, trust and betrayal – and about sharing your life with a monster living inside your head.
Lost Dogs: Betrayals contains the first five books in the series.

...and that's about it. I'll make sure to post here again once the book is actually live. :)
 
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