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Animal heads

skip.knox

toujours gai, archie
Moderator
I just stumbled across a marvelous set of drawings done by the 17thc French artist, Charles Le Brun. Here are a couple to give the flavor of it.
fd16a5ecdae8c65251c771df74991887--charles-le-brun-meli-melo.jpg


aehnlichkeiten_zw_mensch_utier-4.jpg


I could not find a book or even a web site that collected all these, but search on "Charles Le Brun physiognomy" and you'll see a whole treasure house full.
 

CupofJoe

Myth Weaver
Those are quite amazing.
I did find this site CHARLES LE BRUN The most important Painter in 17th century France
There are not many more images than you have but some other good stuff and a bit of background to him.
 

skip.knox

toujours gai, archie
Moderator
Found another fellow, Giovanni Battista Della Porta (that's a Pinterest link). Given my historical background, I ought to have thought about this--there was a real fad in fantastical illustrations starting in the later 1500s and lasting through the 1600s. I figure it was an effect of the discoveries in the New World. Once we get well into the 1700s the focus shifted to a realistic depiction of animals and the fantastical dropped away until the Romantics. Anyway, I find those older illustrations great imagination fodder for crafting fantasy creatures.

The interesting exercise for me is capturing the image in words. FWIW, I'm finding I do something analogous do what a sketch artist does--I don't try to describe the head (or full body) in detail or completely; rather, I focus on key elements--large, wide-set eyes, or bristles for hair--and let that serve as a trigger for the reader's own imagination. Or, at least that's what it says here on the box.
 

Corwynn

Troubadour
Another artist who drew these types of images was Jean Ignace Isidore Gerard, AKA, J.J. Grandville, who was active in the early 19th century.

The interesting exercise for me is capturing the image in words. FWIW, I'm finding I do something analogous do what a sketch artist does--I don't try to describe the head (or full body) in detail or completely; rather, I focus on key elements--large, wide-set eyes, or bristles for hair--and let that serve as a trigger for the reader's own imagination. Or, at least that's what it says here on the box.

Indeed, this is something I am trying to accomplish as well. My fictional races do not have a direct correspondence to any established fantasy race, or specific animal hybrid. I do not want to sit down and describe them in detail at the beginning of every story, so I think the best way would be to dole out small details as the opportunity arises; mentions of webbed fingers, antlers, movable ears, tails, etc.

It would be so much easier just to draw them, and maybe one day I will do a series of anatomical illustrations, reminiscent of what you might find in an anatomy textbook published between 1500 and 1900. Unfortunately, my drawing skill is not yet up to the task. Maybe someday...
 
I just stumbled across a marvelous set of drawings done by the 17thc French artist, Charles Le Brun. Here are a couple to give the flavor of it.
fd16a5ecdae8c65251c771df74991887--charles-le-brun-meli-melo.jpg


aehnlichkeiten_zw_mensch_utier-4.jpg


I could not find a book or even a web site that collected all these, but search on "Charles Le Brun physiognomy" and you'll see a whole treasure house full.

Thanks! I hate it.
 
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