cupiscent
Sage
My biggest anxiety with my writing is that something problematic that I've internalised is going to come through without me realising. And indeed, this was born out in one of the nicest rejections I got on my first novel, where the agent pointed out a problematic thing that would mean fundamentally rearranging the whole book.
My coping mechanism for this is to try and be as mindful as I can, to ask opinions widely and to have a wide range of readers for my work, to seek out other mindful people for their input, but at the end of the day, I have to take the risk and face the consequences. For me, in this situation, that means getting it as good as I can, and then sending it out and seeing what comes back. And when it's rejection - or criticism - I need to weigh and measure that, and accept what is valid in order to improve going forward.
If you never risk, you stop improving.
Obviously Caged - and everyone else - needs to decide to what extent and in what way this is useful advice for your situation. But that's how I look at it: here is the preparation I can do to make sure I'm as ready as possible to jump, but there's no way to sky-dive without leaping.
My coping mechanism for this is to try and be as mindful as I can, to ask opinions widely and to have a wide range of readers for my work, to seek out other mindful people for their input, but at the end of the day, I have to take the risk and face the consequences. For me, in this situation, that means getting it as good as I can, and then sending it out and seeing what comes back. And when it's rejection - or criticism - I need to weigh and measure that, and accept what is valid in order to improve going forward.
If you never risk, you stop improving.
Obviously Caged - and everyone else - needs to decide to what extent and in what way this is useful advice for your situation. But that's how I look at it: here is the preparation I can do to make sure I'm as ready as possible to jump, but there's no way to sky-dive without leaping.