Writing a Novella — 5 Things to Consider

What’s a Novella?

A novella sits somewhere between the short story and the novel — too long to be a short, too short to be a novel. You might ask how long it is, and depending on who you ask you’ll get a different answer. If you’re measuring word count, the novella comes in at between twenty thousand and forty thousand words, but there are those who say it can be up to sixty thousand words too.

Another way of looking at the length of a novella is to consider the time it takes to read it. Reading a novella has been compared to watching a long-ish movie. You curl up on the sofa with a cup of tea and your book, and a few hours later you’re done. Or if you’re a slow reader like me, you take it in two evenings.

The point is that the story is long enough that  there’s room to get lost in it, but short enough to keep it all in your head.

What to Think About

Hold up, what was that last bit about? Keep it all in your head. Where did that come from?

The shorter length of the novella means that there’s little to no room for things that don’t directly impact the main plot or the main character. In order to make the most of the story you’ll have to strip out everything that doesn’t matter. Cut the fluff.

This doesn’t necessarily mean that there is less stuff happening, but rather that it’s all centered around one central thing. There’s a unity to the story, and that makes it more manageable both for the reader and for the writer.

In a novel with a big supporting cast and plenty of subplots it can sometimes be difficult to keep track of everything that’s going on. Try to remember all of the characters and story arcs of something like Game of Thrones. I’m sure you can do it, but they don’t all pop into your head right away. You’ll have to take your time about it, and even then you’ll probably miss one or two.

Apart from its length, it’s the unity of the story that separates the novella from the novel.

When planning a novella, these are some of the things to keep in mind:

1. One Plot

As mentioned above, stick to one plot. You don’t have to avoid subplots completely, but don’t add too many, don’t give them too much space, and make sure they support the main plot. Use your words to create a strong and interesting main plot instead.

2. One Character

Same as with the plot: stick to one main character. This is the character you develop throughout the story and that your readers get to know. There’s still room for supporting characters, but don’t let them take up too much space. It’s okay for them to be a bit flat.

You don’t have to make them all fully realized individuals with backstories and personalities. Chances are your reader won’t have time to notice anyway.

3. One Setting

There’s a bit of a theme here, right? Stick to one of everything. Within a novella you only have the time to establish one setting. This is especially true if you’re writing fantasy where the world of the story may be significantly different from the real world.

Once you have established the setting, let the plot stay there. If your story moves on to take place in a significantly different setting you have to start over and introduce it to your reader from scratch. This can probably be done, but wouldn’t it be better to keep your reader’s attention on your main character and their story?

4. One Idea

This is sort of similar to the One plot suggestion, but I think it’s important and different enough that it deserves its own callout. This is about the premise/concept/idea of the story – or even theme, if you will. Make sure you have a good solid premise of the story and stick with it.

The more ideas you want to present, the less space each of them will have, and you’ll run the risk of diluting your message.

5. One Sentence

Finally, to check if the novella format will work for your story, try to sum it up on one sentence. This is similar to coming up with a log line for your story. If you can’t easily do it, or if the sentence gets too long and complex, then perhaps it’s better to write the story as a novel instead.

If you come up with a good sentence, without too many clauses and with a bit of a punch to it, then you’re probably right on track for your novella.


As you can see above. Writing a novella is a lot about selecting one thing and focusing on that. You’ve got room to tell one story, about one character, but not much more. Remember that. Don’t spread your story thin by adding secondary characters or subplots – they can get their own stories.

Strive for unity.

Perhaps it helps to think of it as the unity of the reader’s attention. Strive to keep that intact and focused. Don’t force your reader to divide their attention between multiple characters and storylines.

Breaking the Mold

Obviously, all of the above are suggestions. I’d like to think they’re good suggestions, but they’re not unbreakable rules. I’m sure it’s possible to write a novella length work that goes against all of the above, but I’m equally sure I’m not the one to do it.

After all, my goal is to learn the basics of storytelling and not to explore the limitations of the medium.

That doesn’t mean I don’t have ideas and theories beyond what I’ve brought up here. Specifically, what about writing a series of novellas about the same character, or group of characters? As it happens, that’s what my current project is about.

What if I’m writing a novella about a character that my reader is already familiar with, in a world they already know? I don’t need to worry as much about introducing my protagonist or explaining the setting. I can get right into the action, and I can include things I might not otherwise have had room for.

Further Discussion

What’s your take on the novella? Have you written any? Do you enjoy reading them?

I talk a lot about how a novella is shorter and how there’s less room for getting sidetracked than in a novel. How do you feel about that? Forty thousand words is still quite a bit of text.

Do my suggestions here make sense to you? Did I miss something important?

I’m really fond of the idea of the novella as something you can read in an evening instead of watching a movie. I’m also excited about the idea of writing a series of novellas that fit that criteria. I believe it will allow me to tell an interesting story, but as a collection of bite size chunks instead of one massive novel. What are your thoughts on that?

Further Reading

If you want to read more about novella writing, I recommend the following articles:

Nils Ödlund

12 thoughts on “Writing a Novella — 5 Things to Consider”

  1. Certain types of stories lend themselves well to novella length. Romance novellas were already mentioned. If you look at the romance market, you tend to see two extremes: novella length and epic romance. You have your Harlequin/pulp sized stories that run between 30,000 and 40,000 words or so and then you have full novels that exceed 90,000 words. There isn’t a lot of middle ground in the market. And, as has already been pointed out, there are, almost without exception, two main characters and often alternating viewpoints.

    Pulp mystery or traditional style mysteries and cozies also work well as novellas. Think about the works of Agatha Christie, Janet Evanovich and Sue Grafton. Typically there is one main character, the sleuth, but he or she may often have a sidekick. There’s a whole cast of suspects and supporting characters as well but they’re only developed in so far as they serve the crime aspect of the story with maybe one or two supporting backstory details about each. The difference with mystery over romance when it comes to novellas is, mystery authors tend to write in series. Especially with cozies, there may be an overarching theme that rides along in each story as a subplot to the main mystery in that novella.

    • Thanks for the comment.

      With novella length stories, do you think the time it takes to read it is a factor that supports the popularity of the novella for certain genres? The idea of curling up on the sofa with a good book might associate better with certain type of stories, like romance or cozies? Perhaps you light a candle and pour a glass of wine and you expect to see the end of the story by the time you decide to go to bed, and you’ve got a happy feeling because the story ended well.

      Admittedly I’m not overly familiar with either romance or cozies, but my impression is the usually come with a happy ending.

      I like the idea of writing in a series with recurring characters. It should let you develop the side characters as well, but at a slower pace than perhaps the main character.

      Let’s say you’ve got two sentences or paragraphs for introducing a supporting character. In each story in the series the first paragraph is the same, so that readers new to the series can pick up on the important bits. The second paragraph varies from story to story, so that returning readers can develop their relation to the character.

  2. I write novella length exclusively. I have only two rules to follow: First, Ten pages, ten chapters, but I take liberties with both. I do a lot of editing in and editing out, usually after each book is finished.

    Second, Write what you want written and write it the way you want it read. I experiment often with form and format and switch genres. I find the novella length, as well as the short story, appropriate for rule breaking and experimentation. I have self-published two books of short stories and eight books of novella length, as well.

    • I like the idea of using novellas and short stories to experiment. I did that with the first one I wrote, and I learned a lot from doing that. I think in the end it worked out really well, and I”m glad I did it.

      For the moment I’m focusing on getting to the grips with basic storytelling (instead of fancy tricks) so I try to avoid experimenting too much, but I’m sure that’ll start happening again sooner rather than later.

      I’m afraid I have a question on the first rule though (I may just be dense): is that ten pages per chapter, and then ten chapters, or ten pages and one chapter on each? I’m guessing it’s the former or it would be a really short novella?

      Thanks for your comments. 🙂

  3. Interesting suggestions. I recently read several novellas by one author. She stuck to the “one” theme except for the characters. In all of them, she had two main characters with switching point of view. The genre was romance (which I rarely read), but I believe the norms of that genre require the two points of view.

    • I can’t say I’ve read much in the way of romance either, but it kind of makes sense to have two different points of view there. That way you’ve got a way to show the reader both sides fo the story, while each character is ignorant (more or less) of what the other one is thinking or feeling.

  4. Hm. Technically I just finished the first draft to a novella (it wasn’t intended to be a novella originally, it’s just what ended up happening because I didn’t have enough plotted out for a full novel) of 22k. But it basically breaks…all of these rules, haha. There’s two main characters and the POVs switch back and forth between them. There’s the main plot with one character being on the run after being accused of murder and then the other plot with the other character trying to find the evidence to prove that the other character (his best friend) didn’t do it…and then by the end of it, stuff involving fairies gets introduced (basically. I’m not doing a great job of explaining it). The setting actually stays the same, though the characters move all over the place.

    I imagine that, because it wasn’t really intended to be a novella to begin with and I could definitely expand on it more once I come up with more ideas for it, I could probably make it go from a novella to an actual novel. It’ll just be a while before I attempt to do so.

    • Suggestions, not rules. 😛

      I hear you though, it sounds like there’s a lot going on in the story, but it’s difficult to say whether it’ll work or not without actually reading it. Perhaps your style is such that it works, or maybe the pacing of the story supports the extra character and plot?

      There’s more than one way to tell a story, and depending on how you go about it, it will suit different formats better or worse.

      You’re probably fine running two plots and two characters in parallel. The thing that sounds off is the introduction of the fairies at the end, but perhaps you’ve got a good reason to not add them on until later?

  5. I don’t think I could write a Novella. My ideas are either too small or too expansive. When focused, I can produce a short story. But once I go longer things start to spiral into complexity. I imagine some discipline is required. Is it working out for you?

    • So far it’s working out. I’m still very much learning as I go. My previous story, the one that got me into novellas was intended as a short story, and I probably could have written it as such. The novella just grew naturally out of it though. It gave me the opportunity to tell a short and relatively simple story while still including a lot of depth and character development – just not spread out over multiple characters and subplots.


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