Julian S Bartz
Minstrel
Hi all,
I know that there are varying opinions about the use of Third Person Limited and Omniscient, so I don't want to get into a debate about what is better. I do have a question though out of interest.
The trilogy I am finishing at the moment has been written primarily in omniscient, with more specific focus on one character in different sections. However in a discussion recently I realised that at times, not very often and usually in action scenes, I switch the focus temporarily and may reveal the inner thought of a character other than the one that I was focussing on in that section... Hope that makes sense
Though traditional omniscient can reveal multiple characters thoughts at will, I generally hone in on one particular character per section.
I've never had any editor, beta reader or general reader comment on it, or mention anything to me about my point of view. So I was curious to know whether other writers do this.
As an example, I have a section which focuses on one character and then for two paragraphs the action turns to his companion. In those two paragraphs whilst the action is centred on him, you get a few lines that would essentially be from his thoughts. It then switches back to the original character once the action is back with him.
I've never had anyone pick it up as a point of concern and wonder if other writers do this as well.
I can understand that if done poorly it can be jarring and a lot of people don't recommend head hopping.
I know that there are varying opinions about the use of Third Person Limited and Omniscient, so I don't want to get into a debate about what is better. I do have a question though out of interest.
The trilogy I am finishing at the moment has been written primarily in omniscient, with more specific focus on one character in different sections. However in a discussion recently I realised that at times, not very often and usually in action scenes, I switch the focus temporarily and may reveal the inner thought of a character other than the one that I was focussing on in that section... Hope that makes sense
Though traditional omniscient can reveal multiple characters thoughts at will, I generally hone in on one particular character per section.
I've never had any editor, beta reader or general reader comment on it, or mention anything to me about my point of view. So I was curious to know whether other writers do this.
As an example, I have a section which focuses on one character and then for two paragraphs the action turns to his companion. In those two paragraphs whilst the action is centred on him, you get a few lines that would essentially be from his thoughts. It then switches back to the original character once the action is back with him.
I've never had anyone pick it up as a point of concern and wonder if other writers do this as well.
I can understand that if done poorly it can be jarring and a lot of people don't recommend head hopping.