BearBear
Archmage
Especially with unusual names (like a story with all Japanese names, I sometimes can't even tell gender.)
I get lost...
I get lost...
I’ve read quite a lot of Japanese fiction, and it sometimes takes me the first few chapters to understand who everyone is and their ‘genders’, because I’m not Japanese and not familiar with all the common names, but after that initial start I’m good to go.Especially with unusual names (like a story with all Japanese names, I sometimes can't even tell gender.)
I get lost...
I am guilty of this particularly when reading a book that tries very hard to make the names sound "fantasy enough." I am dyslexic and try as I might to keep the character named what the author intended, eventually I end up mixing them up with sight words and poor Tylendel forever becomes Tylenol in my mind. I don't mean disrespect by it, but it happens often enough that we tend to keep names either on the shorter end or with a nickname.I attempt to get the names right but if they are too hard they just blend. I start to read them as ‘that character who name starts with s’ and ‘that one with a t’.
That's easy enough to avoid, and it's also a common clarity issue even with established authors because we can remember them clearly. It's in our brains, so we assume, wrongly, that it's also in the readers' brains. You just do something like, She looked up and there was Carol from Accounting. It had been a while.No real issue with keeping track of names. I have a harder time if the character is a minor character that hasn't been mentioned in a while and just gets named dropped again out of the bl
Actually, my own brain has plenty of trouble remembering all my characters. Just finished the first draft of book 3 in a series, and I lost track of most of the side characters. Especially those who only showed up a few times in 1 book. I'll remember I had the character. But what the name was or specific details will be lost. I even found out I need to take notes on things like how a character smells to another character. I had a couple who had been separated for a few chapters. And when they get back together, the POV character smells the other one. It's nice to keep that sort of thing consistent, but it's a pain for my brain...That's easy enough to avoid, and it's also a common clarity issue even with established authors because we can remember them clearly. It's in our brains, so we assume, wrongly, that it's also in the readers' brains.
As for how to make your reader remember, this is a great way to do it. Another way, which works really well and can be subtle, is to give your characters all 1 or 2 defining physical traits which you use over and over again. Harry Potter does this a lot. A character is always mentioned not just by name, but also by wearing pink, or having a scar, or looking like an owl or whatever.You just do something like, She looked up and there was Carol from Accounting. It had been a while.
This is honestly a great way of writing. To give traits to a character that are very well defining makes them more memorable. Just like how I am the Pink Wizard rather than just a wizard will make you have an easier time remembering said character. Colors, physical traits (big ears, big feet) or even racial traits (Dwarf, Elf, Human - Think Lord of the Rings, If you mention the elf in context, most will instantly think of Legolas, despite there being many other elves. That is because he keeps being called elf by Gimli, such as with his famous quote "Never thought I'd die fighting side by side with an elf")Actually, my own brain has plenty of trouble remembering all my characters. Just finished the first draft of book 3 in a series, and I lost track of most of the side characters. Especially those who only showed up a few times in 1 book. I'll remember I had the character. But what the name was or specific details will be lost. I even found out I need to take notes on things like how a character smells to another character. I had a couple who had been separated for a few chapters. And when they get back together, the POV character smells the other one. It's nice to keep that sort of thing consistent, but it's a pain for my brain...
As for how to make your reader remember, this is a great way to do it. Another way, which works really well and can be subtle, is to give your characters all 1 or 2 defining physical traits which you use over and over again. Harry Potter does this a lot. A character is always mentioned not just by name, but also by wearing pink, or having a scar, or looking like an owl or whatever.
Do you have a series bible, yet? I'm exactly the same way. If I spend too much time away, my brain turns into a sieve and suddenly I have no idea what these people look like, or their names. Music can help stimulate my memory, but really it's terrible, so we use OneNote to organize the whole thing. It can be shared with the rest of my team, it saves instantly, and that way we can make notes and changes in real time.Actually, my own brain has plenty of trouble remembering all my characters. Just finished the first draft of book 3 in a series, and I lost track of most of the side characters. Especially those who only showed up a few times in 1 book. I'll remember I had the character. But what the name was or specific details will be lost. I even found out I need to take notes on things like how a character smells to another character. I had a couple who had been separated for a few chapters. And when they get back together, the POV character smells the other one. It's nice to keep that sort of thing consistent, but it's a pain for my brain...
As for how to make your reader remember, this is a great way to do it. Another way, which works really well and can be subtle, is to give your characters all 1 or 2 defining physical traits which you use over and over again. Harry Potter does this a lot. A character is always mentioned not just by name, but also by wearing pink, or having a scar, or looking like an owl or whatever.
Do you have a series bible, yet?