Jabrosky
Banned
I designed the following template for a creative writing class I took last year. I had short stories in mind when setting it up, but maybe a novelist might find use for it too.
Core Idea: This is the premise that lies at the core of my story. It can take the form of an elevator pitch, a what-if question, or anything else describing the original inspiration.
Setting: Summary of the world this story takes place in.
Protagonist: This is my hero (or antihero). Sketch out back-story, appearance, personality, or any other important details about the main character.
Problem: This is equivalent to what writers and literary scholars usually call conflict. I give the protagonist something that gets in the way of whatever goal they're trying to achieve, or otherwise something that spurs them to act.
Initial Reaction: This is how my protagonist first tries to tackle the problem once he confronts it. Usually these early efforts fail.
Complications: These are what make the main problem more difficult for my protagonist, thus amplifying the dramatic tension.
Final Solution: This is how my protagonist finally addresses the problem. Either they succeed and the story ends happily, or they fail and I have a tragedy.
Conclusion: This is the denouement, or the tying up of loose ends after the story's main problem has been sold.
Core Idea: This is the premise that lies at the core of my story. It can take the form of an elevator pitch, a what-if question, or anything else describing the original inspiration.
Setting: Summary of the world this story takes place in.
Protagonist: This is my hero (or antihero). Sketch out back-story, appearance, personality, or any other important details about the main character.
Problem: This is equivalent to what writers and literary scholars usually call conflict. I give the protagonist something that gets in the way of whatever goal they're trying to achieve, or otherwise something that spurs them to act.
Initial Reaction: This is how my protagonist first tries to tackle the problem once he confronts it. Usually these early efforts fail.
Complications: These are what make the main problem more difficult for my protagonist, thus amplifying the dramatic tension.
Final Solution: This is how my protagonist finally addresses the problem. Either they succeed and the story ends happily, or they fail and I have a tragedy.
Conclusion: This is the denouement, or the tying up of loose ends after the story's main problem has been sold.