Hello everyone.
Russ: I did not know that there are Courses that focus on the spiritual and enjoyable side of our craft, I accept that. However, Xyesenia asked about Writing Courses and that brings to my mind all the obsession about having perfect grammar, what is the best plot structure, the whole debate about adverbs, the passive voice stuff and so on.
It reminded me strongly of the very negative experiences that my sister suffered at Writing Courses. Please check out Kassan's recent article at the Home Page of Mythic Scribes, which explains pretty well how I feel about this.
Also, please stop calling my personal views and feelings on Storytelling a false dichotomy. I know that I am very unusual, and my stuff may be false to you and others but it's very real and wonderful (not to mention incredibly effective) to me. I know that I am not the only person like this, there are others out there and I want to be ready to help them in case they arrive in our site.
In fact, one of my best friends in Mythic Scribes decided to just abandon the community thanks to the fact that now the site is heavily focused on Publishing and Selling. The heavy Scientific Writing atmosphere also repelled my friend as much as it repels me, and sometimes I ask myself what the hell I am doing here but I want to stay anyway.
In case others like me show up here asking for help, I want to be here for them. I want to show them that there is an alternative to that surgical world in which the only way to become a good author is to learn tons of theory, earn fancy degrees and write a million words before you can produce something good.
I can provide examples of authors that produced great and even historic works without having attended courses, learned all the theory or written a million words. It's real, it can happen.
Just because you do not experience what we experience, it does not mean that it is false.
Stop the Amusing thing, please. Telling somebody that you find them amusing is quite insulting, unless that person is trying to be amusing intentionally. Do not do that again.
No, you never mentioned that natural talent is irrelevant.
However, others have said it and the general atmosphere in the site is that our craft is all about learning theory, calculating everything just right and just keep writing and writing until you become the next global phenomenon. Talent is very rarely mentioned as part of the equation, and that irks me a lot.
Many people (here as well as in other sites) dislike the idea that Talent exists, or they prefer to describe it as unimportant even in case they accept it's real.
Just take a look at This thread right here.
Now, I'll post something to try and offer assistance to people suffering from the Paralysis effect mentioned before in this thread. I hope it can help somebody, but in case anybody thinks that I am wrong, misleading or amusing please do not even reply to me.
When I have difficulty with creating a scene in one of my stories (whether it's the start of the story, or later) What I do is that I concentrate on the scenery, characters and emotions involved instead of how to actually write it. It's like this: Imagine that you are in a movie theater, and your story will be presented to you as a movie.
What do you see in the screen? What do you hear?
In my method, when a scene is giving me trouble I try to see, hear and feel as much as possible of the place and characters involved in that scene. What is my character thinking? What does my character want? What colors are there? Is it day, or night? Is it cold? Is there wind?
Imagine that you are present in the scene, yourself. That you can walk there, and touch, and breath...
I find that this can help a lot to break that paralysis moment, especially for people that really find it difficult to get past that first blank page and get their stories started. You need to get in contact with your story, you need to feel it because the whole process is similar to dancing together or (in the case of great stories) like falling in love.
Also, while you are working do not compare your writing or your story to other, famous great books that you have read. Your story is supposed to be special and unique, because it's your own. It does not matter if it's worse or better than others, what matters is that it will end up being what it is supposed to be.
I wish you the best in your journeys!
Russ: I did not know that there are Courses that focus on the spiritual and enjoyable side of our craft, I accept that. However, Xyesenia asked about Writing Courses and that brings to my mind all the obsession about having perfect grammar, what is the best plot structure, the whole debate about adverbs, the passive voice stuff and so on.
It reminded me strongly of the very negative experiences that my sister suffered at Writing Courses. Please check out Kassan's recent article at the Home Page of Mythic Scribes, which explains pretty well how I feel about this.
Also, please stop calling my personal views and feelings on Storytelling a false dichotomy. I know that I am very unusual, and my stuff may be false to you and others but it's very real and wonderful (not to mention incredibly effective) to me. I know that I am not the only person like this, there are others out there and I want to be ready to help them in case they arrive in our site.
In fact, one of my best friends in Mythic Scribes decided to just abandon the community thanks to the fact that now the site is heavily focused on Publishing and Selling. The heavy Scientific Writing atmosphere also repelled my friend as much as it repels me, and sometimes I ask myself what the hell I am doing here but I want to stay anyway.
In case others like me show up here asking for help, I want to be here for them. I want to show them that there is an alternative to that surgical world in which the only way to become a good author is to learn tons of theory, earn fancy degrees and write a million words before you can produce something good.
I can provide examples of authors that produced great and even historic works without having attended courses, learned all the theory or written a million words. It's real, it can happen.
Just because you do not experience what we experience, it does not mean that it is false.
Stop the Amusing thing, please. Telling somebody that you find them amusing is quite insulting, unless that person is trying to be amusing intentionally. Do not do that again.
No, you never mentioned that natural talent is irrelevant.
However, others have said it and the general atmosphere in the site is that our craft is all about learning theory, calculating everything just right and just keep writing and writing until you become the next global phenomenon. Talent is very rarely mentioned as part of the equation, and that irks me a lot.
Many people (here as well as in other sites) dislike the idea that Talent exists, or they prefer to describe it as unimportant even in case they accept it's real.
Just take a look at This thread right here.
Now, I'll post something to try and offer assistance to people suffering from the Paralysis effect mentioned before in this thread. I hope it can help somebody, but in case anybody thinks that I am wrong, misleading or amusing please do not even reply to me.
When I have difficulty with creating a scene in one of my stories (whether it's the start of the story, or later) What I do is that I concentrate on the scenery, characters and emotions involved instead of how to actually write it. It's like this: Imagine that you are in a movie theater, and your story will be presented to you as a movie.
What do you see in the screen? What do you hear?
In my method, when a scene is giving me trouble I try to see, hear and feel as much as possible of the place and characters involved in that scene. What is my character thinking? What does my character want? What colors are there? Is it day, or night? Is it cold? Is there wind?
Imagine that you are present in the scene, yourself. That you can walk there, and touch, and breath...
I find that this can help a lot to break that paralysis moment, especially for people that really find it difficult to get past that first blank page and get their stories started. You need to get in contact with your story, you need to feel it because the whole process is similar to dancing together or (in the case of great stories) like falling in love.
Also, while you are working do not compare your writing or your story to other, famous great books that you have read. Your story is supposed to be special and unique, because it's your own. It does not matter if it's worse or better than others, what matters is that it will end up being what it is supposed to be.
I wish you the best in your journeys!