Finchbearer
Istar
I’ll add, just for the sake of it, that one format I find very readable, is alternating chapters between characters, either in first person OR close third.
Thanks for the helpful and thought-provoking comments!The POV you pick matters very little in my opinion. As, they can all work. Robin Hobb uses first person POV masterfully in the Farseer Trilogy.
In my opinion, the main things are that you need to stay true to the POV, and that you should use them to their strength. 1st person is very intimate. You're very much into the characters thoughts and feelings. If you don't dig into that, then pick a different POV.
3rd limited if done well is very close to first. You can in some instances change I for he/she and it works. 3rd limited is a bit more distant, but with that, it also offers you a chance to step away from the POV character a bit more. While technically you shouldn't do it, you can get away with showing something the character can't see or notice in third limited, which you can't in first person.
If you're going with multiple POV's, then I would personally stick to third, unless you really know what you're doing. Switching it up tends to jerk the reader out of the story. The charm of first person is that you're along for the ride with the protagonist. You're experiencing their story. Throwing in different POV's removes this facet.
First, thank you for your comments. They have helped me to understand why I think the change might work.
"If that insanity works, then 1st is a cakewalk." I can imagine! What is the title of your book? I'd like to read it.
"Oftentimes, 3rd Intimate can damned near be swapped for 1st person," This is exactly why I began to think I should change, though I hadn't verbalised it as clearly for myself. About 90% of the book is intimate 3rd person, focusing on a single MC.
"multiple POVs won't pass muster with many people," There will be three at most. I'm going to try to keep it to one, especially as the motives of characters 2 and 3 are meant to be obscure to Mc, and to the reader, until the reveals.