The Dark One
Auror
I may be projecting my own values here (my wife accuses me of that all the time) but do you wish to stand out from other writers, or do you wish to be regarded as a sound contributor to a clearly defined genre? Both are perfectly valid approaches to writing, and by far the majority of (traditionally) published writers fall into the second category.
I do not.
I don't deliberately set out to be different, but I know that my books are unique in all sorts of ways. I guess this stems from my own take on the world which is probably quite functionalist. I am both a lawyer and historian by training and profession (mostly lawyer) and I see the world in a certain functionally deterministic way. But the way people create meta-realities over the functionality is an endless source of amusement to me and generates many ideas for my novels, which always tend to have an element of social satire (sometimes a very large element).
From a craft perspective, I've never been scared of playing about with form and voice, and there are always massive revelations at the end of my stories.
I suspect my strongest point, besides setting an interesting premise, is dialogue. The secret to this is really knowing the characters and being so deep in their heads that the words flow naturally when they're talking. I've also written a couple of screenplays, which is a tactic I hugely recommend in learning to tell a story with dialogue.
Last of all, I'm funny. I'm very lucky in this regard because it's natural. I don't have to try. I can always make people laugh in social/work situations and that also flows naturally onto the pages of my work. Mind you, I've learned a few techniques, just through analysing what works in my own stuff. One really easy way to laughs is to create a character with huge ego and expectation, set him up, and then bring him crashing down (eg, Zapp Branigan). There are a million such techniques but there is also just the unique and original turn of phrase (eg, Sir Humphrey) which will put readers in the palm of your hand.
So what makes you different and what makes you good?
Let's make this a self-conscious free zone. Feel free to boast. Don't advertise your work, but don't be bashful about telling us why you're worth reading.
I do not.
I don't deliberately set out to be different, but I know that my books are unique in all sorts of ways. I guess this stems from my own take on the world which is probably quite functionalist. I am both a lawyer and historian by training and profession (mostly lawyer) and I see the world in a certain functionally deterministic way. But the way people create meta-realities over the functionality is an endless source of amusement to me and generates many ideas for my novels, which always tend to have an element of social satire (sometimes a very large element).
From a craft perspective, I've never been scared of playing about with form and voice, and there are always massive revelations at the end of my stories.
I suspect my strongest point, besides setting an interesting premise, is dialogue. The secret to this is really knowing the characters and being so deep in their heads that the words flow naturally when they're talking. I've also written a couple of screenplays, which is a tactic I hugely recommend in learning to tell a story with dialogue.
Last of all, I'm funny. I'm very lucky in this regard because it's natural. I don't have to try. I can always make people laugh in social/work situations and that also flows naturally onto the pages of my work. Mind you, I've learned a few techniques, just through analysing what works in my own stuff. One really easy way to laughs is to create a character with huge ego and expectation, set him up, and then bring him crashing down (eg, Zapp Branigan). There are a million such techniques but there is also just the unique and original turn of phrase (eg, Sir Humphrey) which will put readers in the palm of your hand.
So what makes you different and what makes you good?
Let's make this a self-conscious free zone. Feel free to boast. Don't advertise your work, but don't be bashful about telling us why you're worth reading.