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On the subject, I usually use "narrative" to refer to the "prose" itself - is that the right word or am I using it wrong or is it iffy or what?
On the subject, I usually use "narrative" to refer to the "prose" itself - is that the right word or am I using it wrong or is it iffy or what?
Tone would just be a result of the combined elements...right? As a side note, I think that asking to be critiqued for prose only is dangerous. Story needs to come first! Of course, the quality of the narrative/prose/tone all of it leads to the clarity of the story, how a reader is able to decipher and relate to story. But if folks are only asking to be critiqued for prose instead of story, it's like asking to try the cake batter before the cake is baked, if you get what I mean.
On the subject, I usually use "narrative" to refer to the "prose" itself - is that the right word or am I using it wrong or is it iffy or what?
On the subject, I usually use "narrative" to refer to the "prose" itself - is that the right word or am I using it wrong or is it iffy or what?
Lately, and this has been very lately, I've been thinking of "narrative" as the non-dialogue bits. I suppose that technically the dialogue is part of the narrative. But "exposition" doesn't work for the non-dialogue bits, because it's....the info-dumping or -dribbling bits, background or expository info?
I'd say prose is all of it--the writing overall, and applies equally to fiction or non-fiction. Narrative is also all of it, but to me implies a story, so I'd say narrative is the prose in fiction (EDIT: so, yes, I use the terms like Devor does). Exposition is explanatory--could be an infodump if handled improperly, could just be providing information. Dialogue is part of the narrative or prose, it's just a subset of either.
That's how I think of it, informally. If those definitions don't make sense for some reason I'm open to others.
Well now I'm thinking maybe I should distinguish between narrative and narration, and whether this is merely splitting hairs.
If setting definitions for a discussion, you could easily set prose as the style/word choice, and then break that into dialogue (including direct thoughts) and narrative, while leaving story all to itself, LOL. This would make sense to me, actually, which might mean its a terrible idea.
But I could also see people taking narrative as the whole. Oh g'grief.
I would definitely distinguish between narrative and narration. Narration is what happens when no character is speaking (or thinking). Narrative is what the reader takes in when they're consuming the story.
Also - if you feel my definitions/impressions don't match what you're used to, feel free to disregard them (but also feel free to elaborate). As a non-native english speaker I'm no stranger to being wrong about what words really mean as opposed to what I feel they mean.
Edit: Svrtnsse, you commented while I was writing the above, heh.
These threads move real fast sometimes - these things happen. It seems we're largely i agreement though?
FifthView said:Until recently, I always thought of "narrative" as the whole shebang, but also added the element that Svrtnsse mentioned. There's a storytelling element to it that separates it from mere prose, heh.
My mind has seriously fractured. Narration is the process of the narrative being formed. Eh? Ehhhh? *humor me please*
My mind has seriously fractured. Narration is the process of the narrative being formed. Eh? Ehhhh? *humor me please*