Elder the Dwarf
Maester
How about the dark being/lord/enemy guy who is invincible except for one spot/weapon/weakness that is a glaring hole in his armor? That one is pretty bad to me.
I disagree, a cliche doesn't stop being a cliche just because lots of writers are using it
Originally Posted by grahamguitarman
I disagree, a cliche doesn't stop being a cliche just because lots of writers are using it
I see I misspoke. I meant it as: "If it's still being widely used, it's probably not the biggest cliché."
However, I do think you have it backwards. Just becuase it's widely used doesn't necessarily make it a cliché to begin with - that's just a trope. (Which can still be a cliché depending on how it's generally regarded or used.)
Basically, it becomes a cliché when people in general start to notice, avoid, complain about and/or make fun of it.
It is this: Farmer lives with uncle (and other relatives) mother is dead, father is unknown. Farmer discovers destiny and meets "that old guy". Uncle and relatives are killed unexpectedly, forcing farm-boy to flee with that old guy and learns more about his destiny along the way. Introducing the love-interest, establishing her as both beautiful and rape/kill-able by every bad guy ever, but she is saved before the deed is done. Love-interest is kidnapped by the Dark Lord and that old guy is killed. Farm-boy, and possible allies he finds along the way, go to defeat the Dark Lord, fighting his inept Dark minions of Death along the way.
Dark Lord, or other arch-enemy, turns out to be farm-boy's father. Farm-boy is conflicted but defeats the Dark Lord. (if its the evil second-in-command who is the father, then evil #2 is converted to good and dies destroying the Dark Lord).
But hey, this story (or parts of it) probably lies beneath most stories. What makes it different is the writer's intricate web of sub plots that makes it exciting every time! hooray!
Klee Shay said:Just about any story is going to end up being a cliche. If there isn't some world/empire/kingdom/village shattering event, there'd be no story. Then you have a story about nothing . . . a fantasy 'Seinfeld' so to speak
The Wheel of Time (at least, the first books) demonstrate that it's entirely possible to start with the "farmer-who-changes-the-world/chosen one" cliché and make a very good story out of it. I don't think there's necessarily virtue in avoiding those kinds of clichés just for the sake of avoiding them. If you're a bad writer, avoiding clichés isn't going to make your writing any better.